Life In A Less Southern Town LP (CD Version With Bonus Tracks) - Omni Music

by Foci's Left

  • Immediate download of 11-track album in the high-quality format of your choice (MP3, FLAC, and more), plus unlimited mobile access using the free Bandcamp listening app.

    Confirmed CD-R bonus tracks are "With Aid Of The Assertive", "So I Took A Walk", "Lurching Monolith", and "An Unhealthy Obsession With Decay".

     £7 GBP


  • Compact Disc (CD)

    Individually numbered CD-R with drawings as time goes on.

    Includes immediate download of 11-track album in the high-quality format of your choice (MP3, FLAC, and more), plus unlimited mobile access using the free Bandcamp listening app.
    ships out within 3 days

     £8.50 GBP or more




The LP is based on emotions I experience writing music in the town of Carterton, Oxfordshire; additionally Oxford, as a means to express myself - as opposed to Rochester, Kent, where I could express very little. "Life In A Less Southern Town" runs the gamut of the ambient, drone, synthesizer and modern classical worlds to offer something unique.

"Erratic Pathway" is remixed on the disc by Simon Scott of Slowdive. Scott worked with Brian Eno on the group's "Souvlaki" LP in the early 1990s.

The disc comes with 4 bonus tracks. CDs ship immediately (please put your address in the Paypal notes and I'll send your copy).

Many thanks for your support - an audience means the world to me.

Mick Buckingham (Foci's Left)



"There are two sorts of ambient music. One gets you relaxed, and one makes you uneasy; one's a warm duvet and one's a chill breeze; one's a forgiving hug and one's a suspicious glance.

Although the second album by Oxford musician Mick Buckingham covers both ambient strains, it's definitely better when leaning towards the latter. The most satisfying element of this record is its density - where many ambient composers are happy to let things run, Buckingham has created a CD of real sonic depth, with a lush textural variety, from the pitched-up honks at the opening (that remind us of "Galleons Of Stone" by The Art Of Noise) to "In Our Lives, There Have Been Many Terrors", in which distant metallic clanks are borne on zephyrs through crumbling ruins.

Occasionally the sounds are just too well worn, and the ear can't help but associate echoey piano with lachrymose US soaps, and sawtooth synth hums with encroaching Silurians, but in general this is a well-constructed thoughtful slice of musical atmospherica.

Perhaps "Transistory Stringency" - yes, the titles are best ignored, frankly - is thin and meandering, but in general this record marries the amicable bubbling of early Global Communication with the elegant austerity of Tim Hecker or Leyland Kirby.

The record ends with some unexpected drum 'n' bass action, and if the breakbeat tweaking is a little ham-fisted, the mournful Aphex horns underneath embody the record's true, dark heart. Good stuff, in short, but more misery next time, please, Mick; perhaps we should have written a bad review, to get the ball rolling." ~ David Murphy, Nightshift reviewer, April 2014. (

"It reminded me of Vangelis. It's better than your first album. :)" ~ Jonathan Tait, Subvert Central Recordings and published The Wire Letters contributor concerning Meredith Monk. (

"That's pretty out there man. I didn't dislike it, that's for sure, but the main thing I took from it is it was very adventurous in what it tries to do." ~ ASC on "Love Never Fails", producer mentioned by Joe Muggs in The Wire 2012 Rewind as breaking new ground. (

"First impression: your music is very strong compositionally and sonically, very well made and beautifully executed. :)" ~ Pascal Savy, Fluid Radio.

"Yes I liked it. You've got a real talent there. I think you're an innovator." ~ Geoff Brooks PhD, clinical psychologist, hypnotherapist and Reiki healer.

"I like the mood of the release, which I would classify as darkly contemplative. It's always good to play to your strengths, so my recommendation would be to continue further down this path." ~

"I like it :) Suddenly starts to get moody when the organ comes in." ~ Shiva, Bitrate Music on "With Aid Of The Assertive" [CD-R Bonus Track] (, attendant of Technicality raves in the ongoing jungle / drum 'n' bass revival.

"I thought is was nicely meandering without losing its focus." ~ Bob Macc on "Love Conquers All", jungle track in 4/4 and 5/4 time signature. (Outsider, Paradox Music, Subvert Central, Breakin,

"Sounds like a good lead into a d'n'b track. The arrangement is very pleasant to me." ~ Nic TVG on "In Our Lives, There Have Been Many Terrors" percussion section. (

"I like the part where the drums start to fall apart the best." ~ Nic TVG, Pinecone Moonshine label owner (Macc, Icarus et al) on "Love Conquers All".

"Nice ECM style album cover as well!" ~ James Fork, Moshka promoter, Oxford.


released 02 March 2014
Mick Robert Buckingham - all synths, instruments and processing, except on "In Our Lives, There Have Been Many Terrors" where Mike Twelve contributes the middle part. All mastering by Foci's Left, except "Love Conquers All" which has additional mastering by Bob Macc (



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